Short, clever homage to Westerns. Westerado: Double Barrelled uses a simple premise — find the gunman who murdered your family — to take the player on a romp through the genre’s tropes: bandits, six-shooters, a crooked tycoon, a cowardly sheriff, horseback chases, blue-coated soldiers, and a protagonist who looks awfully like the Man with No Name. Mechanically, it’s a short-form open-world game, mostly top-down, although the occasional horseback sequences are viewed side-on. Solving quests earns clues as to the murderer’s identity; in between quests, the player can hunt bounties, explore the map, and tussle with bandits. That fits the premise, given that the archetypal western is about the stranger riding into town to solve a problem.
Brevity is part of Westerado’s appeal — I clocked in at 4 hours per Steam, after finishing many (not all) the side quests. That, to me, felt about right. First, I don’t think the game’s mechanics could support a much longer run; by the time I wrapped up, I had more than enough clues to find the murderer and was anxious to trigger the final showdown. Second, the designers set up the game to encourage multiple playthroughs — the player can ally with one of several different quest-givers, and following different quest lines will produce different endings.
Strong indie aesthetic — the pixel art can be striking (see above screenshot), and the soundtrack is twangy, catchy, and atmospheric.
Recommended. Since finishing the game a couple of weeks ago, I’ve been digging through spaghetti Western soundtracks on Spotify and contemplating re-watches of genre classics. It’s a good sign when a game prompts me to engage with its source material — especially when that game is a homage!
Also published on Medium.