Clippings: Counterinsurgency, Mars, RPGs

Several years ago, I wrote about Vietnam ’65, one of the most interesting asymmetric strategy designs I’ve encountered (and a fine “short-form” exception to a genre typified by sprawl). Now, Tim Stone at the Flare Path has posted a good preview of its upcoming sequel, Afghanistan ’11. I look forward to picking up the game when it’s out.

Remember Take on Mars, the space simulator from the developers of ARMA? PC Gamer has now posted a review. While my initial reaction was “huh?”, it turns out that the game has evolved significantly since its Early Access days; an interesting read.

How should the RPG evolve? PC Gamer asks several developers.

 

Posted in Clippings | Leave a comment

Musical Monday: “The Hyperion Overture” (Starcraft II), performed by the Eminence Symphony Orchestra

Musical Monday kicks off for 2017 with an orchestral performance of the Terran theme from Starcraft II. Enjoy!

Continue reading

Posted in Musical Monday, Soundtracks | Tagged , , | Leave a comment

Clippings: low-spec strategy gaming, what Nintendoes, and 4X sales

Welcome back to Matchsticks for my Eyes!

At present, my gaming comprises what’s playable on an ultrabook with Intel integrated graphics.  Over the last couple of months, this has included:

  • Hearts of Iron IV – following the launch of Together for Victory, the Commonwealth-themed DLC, I had a great time leading (the newly expanded) India to independence and victory over the Axis, although by this stage, I know HOI4 well enough for the AI cracks to show. Playable on “medium” texture quality and 1920×1080 graphics, although definitely more so in the early game (lag was painful by the late game).
  • Shadow Tactics – I have started, and really enjoy, this Sengoku Japan stealth tactics game. For the best write-up of the game, check out Tim Stone’s review at Rock, Paper, Shotgun. Playable, although this required turning down the graphics to low and shrinking the resolution to 1600×900.
  • Armello – I dabbled with this gorgeous, fairy tale-themed game (refer to this Three Moves Ahead podcast for a good discussion). Comfortably playable on “medium” graphics and 1920×1080 resolution.
  • Games on the Battle Academy engine, including the original Battle Academy and Sengoku Jidai: Shadow of the Shogun, unsurprisingly run fine.
  • Wargame: Red Dragon – I returned to its single-player campaign, which was comfortably playable on low/medium graphics and 1920×1080 resolution.
  • Other games I intend to try on this machine: Civilization VI, the original Dishonoured, and Sins of a Solar Empire: Rebellion.

In other news, GamesIndustry rounds up Nintendo’s latest investor Q&A (the full text can be found here). It’s an interesting read; topics range from Nintendo’s mobile strategy to the trade-off between expanding the company and maintaining Nintendo’s culture.

Finally, eXplorminate analyses 4X sales data on Steam over 2016. Out of the year’s new releases, Civ 6 and Stellaris dominated, with the new Master of Orion running a very distant third. Interestingly, Endless Legend has had strong legs since its initial release in 2014.

Posted in Clippings | 2 Comments

My gaming year: 2016

Hello, and welcome to my gaming wrap for 2016.

For me, the year was defined by five new PC strategy games — Stellaris, XCOM 2, Total War: Warhammer, Civilization VI, and Hearts of Iron IV, each of which I really enjoyed. I also dabbled with a few new releases in other genres (Titanfall 2 and House of the Dying Sun), replayed several older games (Crusader Kings II, Europa Universalis IV, Sins of a Solar Empire: Rebellion, Total War: Shogun 2, and a little Dishonored), and discovered the joys of iPad gaming (Eclipse: New Dawn for the Galaxy, 80 Days, Desert Fox, and the mobile version of FTL). Two final notable releases were Dishonored 2, which is waiting in my Steam library for me to finish the DLC for the original Dishonored, and The Last Guardian, which I intend to eventually buy alongside a PS4.

Digging more deeply into the five new strategy games, it’s interesting to see how they represent different blends between innovation and execution:

– XCOM 2 is the excellent, evolutionary, sequel to one of my favourite games. In terms of game mechanics, it’s probably the strongest on the list: it is a delight to mix and match the complementary abilities of a late-game squad.

– Stellaris is imaginative, beautifully scored, and has the potential to become one of the most significant 4X games in the last 20 years. I am particularly interested in the extent to which future updates flesh out internal politics, an area where the 4X genre could learn a lot from grand strategy games.

Hearts of Iron IV and Civ VI are built on strong underlying designs, combining the best elements of their respective predecessors (HOI 2-3 and Civ 4-5) with new innovations; I expect both games to be stronger after AI tweaks and expansions.

– Finally, Total Warhammer successfully adapts the apocalyptic, “rage against the dying of the light” experience of Total War: Attila to a fantasy setting.

In the broader game industry, the most interesting development for me has been Nintendo’s counterattack across multiple fronts: (1) the Switch announcement, aimed at the traditional console/core gamer market; (2) well-received moves to bring Nintendo IP to mobile, through licensees (Pokemon GO) and  outright development (Super Mario Run, supported by mobile specialist DeNA); and (3) laying the groundwork to take that IP beyond gaming by partnering with Universal Parks. I love the concept of the Switch — playing core games on the go is a big draw — and I look forward to learning more in 2017. While I’m also very interested in VR, I expect this to be more of a medium/long-term story.

Other releases I’ll watch in 2017 include Frozen Synapse 2, Persona 5, and Final Fantasy XII: The Zodiac Age (especially if it’s ported to PC).

Note: I will soon be travelling overseas and won’t have access to my gaming PC for several months — during that time, I expect to survive on a diet of Paradox, Slitherine, independent, and classic games. I wish all of you Merry Christmas, Season’s Greetings, and all the best for 2017!

Posted in Games | Tagged , , , , , | Leave a comment

Musical Monday: “Scarborough Fair” (Civilization VI), arranged by Geoff Knorr & Phil Boucher

Welcome back to Musical Monday! This week, I present “Scarborough Fair”, the old folk song used as the English theme in Civilization VI. There are two really cool things about the game’s music – first, the quality of the music itself, and second, how each civilisation’s theme evolves over the course of the game – you can hear the Ancient, Medieval (1:59), Industrial (6:08), and finally Atomic (10:07) themes below. Enjoy! Continue reading

Posted in Musical Monday, Soundtracks | Tagged , , , | 2 Comments

Musical Monday: “Amen” (Medieval 2: Total War), composed by Jeff van Dyck

For years, the music of Jeff van Dyck was a crucial part of the Total War games. Some of his tracks were thrilling; others stately. This, the menu theme for Medieval 2, is sombre and thematic – enjoy!

Continue reading

Posted in Musical Monday, Soundtracks | Tagged , , | Leave a comment

Musical Monday: “Cadiz” (Expeditions: Conquistador), composed by Leonardo Badinella

Back in 2013, when Expeditions: Conquistador was new, I featured a gentle, atmospheric overworld theme from its soundtrack. Three years later, I still listen to its excellent music. This week’s piece is the bold, triumphant “Cadiz” – enjoy!

Posted in Musical Monday, Soundtracks | Tagged , , | Leave a comment

EB Expo 2016: Dishonored 2, Gravity Rush 2, More Lego

eb-expo-showfloorI attended the EB Expo using a media pass supplied by the organisers.

This year’s EB Expo continued the event’s shift away from gaming-specific content towards being a general pop-culture fair. It included the usual big-name video gaming exhibitors – all three platform holders (Sony, Microsoft, and Nintendo), major publishers such as Ubisoft, and hardware companies such as Logitech and Razer. It also offered a range of exhibitors from related fields, including science-fiction fan groups, artists and craftspeople, and the return of last year’s highlight, the Lego enthusiast group Sydney Brick Show.

More thoughts after Vault Boy:

I posed with this same Vault Boy prop last year.
I posed with this same Vault Boy prop last year.

Continue reading

Posted in Games | Tagged , , , , | Leave a comment

Musical Monday: Video Games Live’s Okami

This week’s song is Video Games Live’s arrangement of one of my favourite soundtracks, Okami. It comes from VGL’s recently released Level 5 album, available in the usual places (and also on Spotify). I think I’ve backed or purchased every VGL album so far, and this is one of the strongest. Enjoy!

Continue reading

Posted in Musical Monday, Soundtracks | Tagged , | Leave a comment

Musical Monday: The Faction Themes of Hearts of Iron IV, composed by Andreas Waldetoft

While on the whole I think the Stellaris soundtrack still represents Andreas Waldetoft’s best work, the best pieces on the HOI4 soundtrack excel at conveying the flavour of their respective factions.

The Western Allies’ music ranges from hopeful to wistful, reminiscent of the music from Band of Brothers:

Continue reading

Posted in Musical Monday, Soundtracks | Tagged , | Leave a comment

A world at arms: thoughts on Hearts of Iron IV

HOI4 French Battle PlansVive l’Entente! My first “proper” game of Hearts of Iron IV was a journey from desperation, through grind, to eventual triumph. Playing as Britain, World War II began a year early, in 1938, when I backed Czechoslovakia at Munich. This defiance came to little avail, as the German war machine rolled over Czechoslovakia, and British workers raced to equip an unprepared military.

Finally, the Axis marched into the Balkans — and stalled in the face of dogged Yugoslav, British, and Commonwealth resistance. As British troops helped stabilise France’s Alpine front, and the United States entered the war,   I dared to think Germany’s days were numbered. Would the Soviet Union take advantage of German preoccupation to march on Berlin?

The Soviets entered the war, all right — on the wrong side. Stalin sent an ultimatum to British-aligned Romania. The Romanians refused. Now, the Allies were at war with both the Axis and the Soviets. Stalemate — and a little frustration on my part — set in.

In time, I broke the stalemate. In Europe, I unleashed the “Brits-krieg”: my armoured spearhead, now lavishly equipped with tanks, trucks, and self-propelled artillery, shattered the totalitarians’ lines. In the Pacific, British marines and aircraft carriers pushed up towards Japan. After a long, gruelling war, final victory came in 1946.

HOI4 RN vs IJNVive la France! Several more attempts, this time as France, went less well. In one game, I defeated Germany single-handed, only to be bulldozed by the Soviets pushing from the east and Spain coming from across the Pyrenees. Eventually, the stars came into alignment. Shielded by an extended Maginot Line, I built up my strength, overpowered Germany, and sat down with Stalin to determine the fate of Europe. Then when World War III broke out in response to a Soviet attack on Turkey, I did it all over again, pushing the Red Army back from the Rhine and avenging Napoleon’s defeat.

Possibly the best Hearts of Iron game yet. I’ve played this series for over a decade, since the original Hearts of Iron, and for most of that time my affections have belonged to Hearts of Iron 2. Now, I can’t imagine going back: HOI4 combines great alternate-history potential with a solid underlying design and improved quality of life. At present, as is so often the case with highly complex strategy games, its greatest limitation is the AI 1.

More detail below:

Continue reading

  1. See also Dominions and Total War.
Posted in PC Games, Strategy Games | Tagged | Leave a comment

Musical Monday: “Roll Me In” (Katamari Damacy)

Fittingly for such a unique game, Katamari Damacy also had some rather unique music (complete with rolling-themed lyrics).  This is one of my favourite pieces, smooth and listenable – enjoy!

Continue reading

Posted in Musical Monday, Soundtracks | Tagged , | Leave a comment

Author Q&A: Django Wexler, author of The Thousand Names and The Forbidden Library

The Thousand Names UK coverI am pleased to present my first author interview. Django Wexler is the author of the Shadow Campaigns, a “gunpowder fantasy” series where clashing armies echo the French Revolutionary and Napoleonic Wars, while magic-users wage a covert war in the shadows. After reading the first book, The Thousand Names, I was hooked. His other works include The Forbidden Library, a young adult series.

Read on for more:

 

Hello, and welcome to the site!

 I’d like to begin by asking about your journey as a writer. You got started via an interest in table-top RPGs, then wrote a number of novels before bursting onto the scene with The Thousand Names in 2013. How has your writing developed, during and since?

The state of my writing is a very hard thing for me to track from the inside, as it were.  The first thing to realize is that I wrote a lot of stuff that never has (or will be) published, so by the time Memories of Empire, my first small-press book, came out, I’d had a lot of practice with trunk novels or fan-fiction.  The Thousand Names was another three or four novels later, and close to five years, so it’s quite a jump!

One thing I’ve definitely observed is I’ve lost my taste for grand, over-complicated plots.  I had a real yearning all through my gaming years to do something enormously epic in scope, and at one point I actually tried writing it — it was going to be nineteen books long, with huge continental maps and oceans of backstory, and one of those timelines that starts with “0: The Gods Create The World”.  Fortunately I was dissuaded after only one novel from going on with it, because it would have been impossible to sell, but the further I come the less I really want to do something like that.  I have too many different ideas to spend twenty years on one of them.

However!  Nothing is every truly wasted.  The whole Shadow Campaigns series actually came from one minor thread that was supposed to be woven into this mega-project, and another thing that I’m working on came from another.

 

How would you describe your current books? And what can you tell us about the other project that you’re working on?

The Shadow Campaigns is a fantasy loosely based on the Napoleonic Wars.  It originally began as a project to do a fantasy retelling of the story of Napoleon Bonaparte, inspired by S.M. Stirling and David Drake’s The General series, which is the story of Belisarius.  After I started writing it, though, it changed a lot, so it’s now only very vaguely a historical analogue.  I pitched it as “A Song of Ice and Fire with guns” — a military/political fantasy set in the age of muskets and cavalry charges.

As for the next project, I have to remain fairly close-mouthed about it.  There are quite a few on the horizon, though!  More when I’m allowed to say.

Continue reading

Posted in Books, Interviews | Tagged , , , | Leave a comment

Shield of civilisation: Thoughts on Total Warhammer

Total Warhammer - the emperor strikes backI am the shield that guards the realms of man. When the Vampire Counts marched west into the fragmented, bickering human principalities, it was the recently crowned Emperor, Karl Franz, who came to the rescue. And when the battle hung in the balance, the weary human warriors struggling against the Vampire Count himself, it was the Emperor who charged up on horseback to deliver the final blow.

When the forces of Chaos swept south and west, razing all before them, it was the Empire that rallied resistance. My first pitched battle against Chaos was Pyrrhic, as charging Chaos monsters trampled my infantry. Only weight of numbers saved the day. I rebuilt, and with help from the free peoples of the world, my new, improved armies – bristling with greatswords, knights, and artillery – defeated the last Chaos hordes.

And finally, when Chaos was no more, and the orcish hordes to the south were beaten back, it was time to settle the final score with the Vampire Counts.  An uneasy peace had prevailed in the face of the common enemy, Chaos. Now it was the Vampires’ turn to experience the power of the human war machine. Sandwiched between me to the west, Chaos to the north, and orcs and dwarfs to the south, the Vampires had lost their chance to expand, so my campaign was anticlimactic. My troops swept the Vampires aside, fought off an orc army eager for a rematch, and occupied the last settlement required to win. Victory!

Game of the Year contender. A triumphant fusion of theme and mechanics, Total War: Warhammer is intense, challenging, and often spectacular1.  From the early game, when I plotted how to bring a wealthy city-state into the imperial fold, to the mid-game, when I juggled human and inhuman foes, to the late game, when I led a Lord of the Rings-style alliance that saw armies marching from the far corners of the earth to help fight Chaos, Total Warhammer cast me as the star of a fantasy epic about uniting humanity against the coming darkness. This was the experience promised before release, and wow, did the game deliver.

More detailed thoughts below:

Continue reading

  1. I played on Hard campaign difficulty, Normal battle difficulty.
Posted in PC Games, Strategy Games | Tagged | Leave a comment

Do you like written LPs and AARs?

If so, I’d really appreciate your help filling in this survey. I love reading and writing After-Action Reports and Let’s Plays, and I’d like to start a spin-off website collecting them (effectively, Twitch for the written word). The survey will only take a couple of minutes and will help me refine ideas for the website. Results so far can be seen here – thanks for your help!

Posted in Website | Leave a comment

Musical Monday: “Faster than Light (instrumental)” (Stellaris), composed by Andreas Waldetoft

This is one of my favourite pieces of music in Stellaris, embodying the game’s – and the science fiction genre’s – spirit of exploration and discovery. At its start, it’s understated and almost ethereal; it takes on a questing, inquisitive tone around 0:45; and finally blossoms into liveliness at 2:40. Enjoy!

Continue reading

Posted in Musical Monday, Soundtracks | Tagged , , | Leave a comment

Clippings: Civilising the Kaldwins

2016 looks to be a bumper year for strategy games, based on the release of XCOM 2 (my current pick for GOTY), Banner Saga 2, Stellaris, Total War: Warhammer, Hearts of Iron IV, and now Civilization VI. While the Civ 6 previews all seem to be based on the same briefing, PC Gamer has also conducted a follow-up interview.

In other news:

Posted in Clippings | Leave a comment

Space Opera, Act I: Thoughts on Stellaris

Stellaris ESS startHumanity triumphant! My first game of Stellaris was a short one, as my fledgling humans were ground to dust by a nearby computer player. My second was more successful. Under the banner of the Empire of the Shimmering Stars, humanity spread out from the Deneb system – befriending the pre-spaceflight Immathurans, bringing more species and more worlds under its sway.

Stellaris - Immathurans encounteredSome of humanity’s neighbours turned out to be friendly, or at least benevolent neutrals. I signed migration treaties, allowing us to populate one another’s worlds. Some were hostile. When my first spacefleet was destroyed in a bid to protect my Immathuran proteges, I built a second one, the Remembrance Fleet. The Remembrance Fleet went on to turn the tables, and the would-be aggressors became first vassals and then subjects.

On and on the human tide rolled, until finally I stretched too far. The Ubaric Progenitors, an ancient “Fallen Empire” (ornery precursor races populating the Stellaris galaxy), objected to my colonies near their borders. The Remembrance Fleet fought them off – just. I attempted to take the war to the Ubari capital, an ancient ringworld. It was a disaster: the combined Ubari forces crushed mine. In the ensuing peace treaty, the Ubari forced me to abandon a swathe of colonies, and to add insult to injury, assassinated my leader.

Fortunately, the Shimmering Stars had the size and strategic depth to recover. Rebuilt newer and stronger, my Grand Fleet fought off an extra-galactic invasion (one of Stellaris’ “late-game crises”)… and returned to unfinished business. Once again, a human fleet, supported by allied and vassal contingents, appeared above the Ubari ringworld.

Stellaris grand fleet 2This time, the allies outgunned the Ubari several times to one. One by one, the Ubari warships and starbases winked out. The Ubari leaders surrendered. The bronze eagle flag of the Shimmering Stars flew over a ringworld that was already old when the first humans rubbed sticks together to make fire.

Stellaris defeated UbaricHumanity now presides over the galaxy’s dominant empire. No threats remain. The empire itself is home to many species, most co-existing happily, and its highest offices are open to leaders from all species. That, for me, is victory!

Stellaris end mapGood game, 1-2 expansions away from potential greatness. Stellaris’ appeal rested on two promises: (1) a vibrant science-fiction universe, and (2) blending Paradox’s specialty, the grand strategy game, with the established space 4X genre. It delivers on the first; I am not convinced it delivers on the second, as its limited internal politics feel more like a traditional 4X. I suspect players will enjoy it to the extent they’re looking for an interactive science fiction epic rather than a crunchy GSG. Overall, I enjoyed my 20 hours with Stellaris, and I look forward to playing again several patches down the road. (Update: the developers have posted their roadmap for the next few updates, which look great! They address many of my issues with the game.)

Below, I elaborate:

Continue reading

Posted in PC Games, Strategy Games | Tagged | Leave a comment

Musical Monday: “Brothers in Arms” (Mad Max: Fury Road), composed by Tom Holkenborg

Welcome back to Musical Monday. To celebrate the release anniversary of Mad Max: Fury Road, I present my favourite track from the movie. An action theme through and through (it plays during the canyon sequence), it begins all clash and discordance, before working up to the more hopeful note at 3:00. Enjoy!

Continue reading

Posted in Musical Monday, Soundtracks | Tagged , , , | Leave a comment

Clippings

The next month will be busy with strategy releases – Stellaris, Total War: Warhammer, and Hearts of Iron 4. Look forward to my Stellaris coverage once the game is out next week!

Further out, Relic has announced Dawn of War 3 – details at PC Gamer.

Interesting times for console games, with Nintendo confirming the NX for 2017 (do check out this Q&A from Nintendo’s FY16 earnings announcement), and Sony and Microsoft rumoured to be working on refreshed hardware. This retrospective on 2006 – when the PS3’s US$599 price was revealed – makes for an interesting comparison.

The Banner Saga 2 is out to a positive reception (Metacritic score 83 at time of writing). I like IGN’s and PC Invasion’s reviews – be warned that they contain spoilers for the first game.

Finally, fantasy and anime fans might be interested in this comparison of epic fantasy and shounen anime – one about heroes summoned by an external call, the other about heroes driven (or so argues that piece). Note that Django Wexler, who wrote the article, is the author of the crackingly good Shadow Campaigns series, a military/political fantasy inspired by the career of Napoleon Bonaparte. I look forward to the next in that series!

Posted in Clippings | Leave a comment

Clippings

With Dark Souls III out to rave reviews, Eurogamer has analysed the lore of Dark Souls and Dark Souls II. Interesting read for series fans.

Meanwhile, Cold War board game Twilight Struggle has been ported to Steam. The original game is highly regarded and so far, the PC port has been technically solid. If time permits, this is one game I’d like to explore further.

In other news:

 

Posted in Clippings | Leave a comment

Clippings: A Return to Mass Effect

The link of the week is Shamus Young’s incredibly detailed retrospective of the Mass Effect series – 41 parts and counting. Even with my limited experience of the series, I found it fascinating; just the two introductory posts (the history of Bioware and the difference between “details” and “drama”-oriented science fiction) could stand alone by themselves. Enjoy!

In other news, here is an interesting interview with Pixar president Ed Catmull on managing a creative organisation, while balancing innovation and risk.

Posted in Clippings | Leave a comment

Arcadian Atlas Q&A, with Taylor Bair

Screen Shot 2016-03-31 at 7.50.35 AM copyUpdate: Arcadian Atlas‘ Kickstarter campaign is now live and can be accessed here.

Arcadian Atlas is an upcoming indie tactical RPG inspired by two of the greats – Final Fantasy Tactics and Tactics Ogre. Read on for a Q&A with Taylor Bair, one half of the brother-and-sister team behind the game:

 

Hello, and welcome to the site! Please introduce us to yourselves and Twin Otter Studios.

I’m Taylor, the one typically found at the computer or walking my dog as I think of story details or gameplay tweaks for the game.

And Becca is the one with her graphic tablet working feverishly on art assets for our game.

We’re brother and sister living in Dallas and Austin, TX respectively, and we make up Twin Otter Studios.

 

Your current project, Arcadian Atlas, is a tactical RPG inspired by Yasumi Matsuno’s 1990s classics, Final Fantasy Tactics and Tactics Ogre. (The art and narrative themes — the choices people make in pursuit of the things they love, and the havoc it wreaks on a kingdom” — give me a particularly strong Tactics Ogre vibe.) What drew you to these titles? Were there any other notable inspirations?

We have a lot of inspirations, probably too many to count, though we definitely played Final Fantasy Tactics like crazy growing up. As kids we were pretty steeped in video games, particularly classic RPGs like Chrono Trigger, Breath of Fire, and Super Mario RPG.

Something about investing in a character is probably what drew us to RPGs most. We love characters, and our story in Arcadian Atlas is very character centered – about how people become saints or monsters because of the choices they make and the ripple effect that has on Arcadia.

Continue reading

Posted in Features, Games, Interviews, RPGs, TRPGs | Tagged , | Leave a comment

Musical Monday: “Madrigal” (Emperor of the Fading Suns)

This week’s theme is taken from Emperor of the Fading Suns, a cult-classic 1990s TBS that I’ve previously raved about. EFS was – and still is – the defining video game implementation of “feudal future” science fiction, with a soundtrack to match. I’m kicking around ideas for a Let’s Play; until then, enjoy!

Continue reading

Posted in Musical Monday, Soundtracks | Tagged , | Leave a comment

Thoughts on XCOM 2

XCOM 2 victoryWorthy successor. XCOM 2 is game of the year material for me, building on what worked in XCOM: Enemy Unknown and Enemy Within. I look forward to what Jake Solomon and team do next!

More detailed thoughts below:

This is how to balance a single-player game — “give the player interesting decisions” means “give the player an impressive choice of tools” 1 The punishing early game teaches several lessons: Protracted shootouts are dangerous. Guaranteed damage is better than relying on the odds. Stack the odds wherever possible. By the mid-game, we’ve unlocked enough abilities to put those lessons into practice. Every XCOM 2 class can do something cool: rangers can stealthily scout, sharpshooters can engage multiple targets on overwatch, grenadiers can choose between high single-target damage or area-wide de-buffs & damage over time, specialists can heal from a distance or inflict guaranteed damage, and psionics can do most of the above. (While XCOM: Enemy Unknown and Enemy Within also had plenty of impressive tools — snipers in Archangel armour, run-and-gun plus rapid fire, using Mimetic Skin to sneak heavies in range for an explosive barrage — I feel XCOM 2 does a better job of making every class feel powerful, with psionics the big winner.) Balance is driven by limitations on what the player can deploy, not by making the player feel weak.

Successful fusion of strategy and RPG. At a tactical level, the Firaxis XCOM games revolve around choosing one’s favourite tools (equipment and especially character abilities), understanding how they interact, and applying that knowledge to solve individual problems — a description that could also apply to a well-designed party RPG. In turn, those problems involve multiple dimensions, such as the number and type of enemies, terrain, positioning, the mission timer, and the resources already expended (health and consumables, plus any abilities on cooldown) — factors usually associated with the strategy genre. That interplay gives these games their richness.

Music the biggest let-down. I like XCOM 2’s visuals — the architecture of the new human/alien civilisation is surprisingly lovely, masking the iron fist beneath. The ADVENT soldiers’ big, imperious arm gestures cement them as pulp baddies. XCOM operatives’ animations are as satisfying as ever, from shimmying down drainpipes to whipping out pistols, and late-game equipment looks fantastic. Set against this, the music is merely decent — a big step down from the great soundtrack of XCOM: Enemy Unknown.

XCOM lategame characters

  1. Contrast Civilization: Beyond Earth, which gave the player underwhelming choices instead.
Posted in PC Games, Strategy Games | Tagged | 2 Comments

Clippings: From Tristram to the Stars

Paradox has announced the imminent release of its next two grand strategy games — Stellaris (9 May) and Hearts of Iron IV (6 June). The gameplay video above highlights the start of a Stellaris game – it looks promising! The key will be the extent to which Stellaris can combine the best of the 4X (discovery, exploration) and grand strategy (dynamic empires) genres, while avoiding the usual late-game pitfalls, snowballing and micromanagement. This is one reason I’m so interested in the game’s AI sector governors – if implemented well, they hold out the promise of a transition to late-game “macromanagement” a la Nobunaga’s Ambition.

In other news:

Posted in Clippings | Leave a comment

Musical Monday: Behind the Scenes with Shogun 2

Celebrating the fifth birthday of Total War: Shogun 2, this week’s Musical Monday is slightly different – a behind-the-scenes look at its taiko drum music. I was interested to learn it was recorded in Sydney by a local troupe, Taikoz. Enjoy!

Continue reading

Posted in Musical Monday, Soundtracks | Tagged , , | Leave a comment

Clippings: En Route to No Man’s Sky

Short update this week – No Man’s Sky now has a release date, 21 June, and a flurry of previews have gone up. I like the preview/interview pairs from USGamer and PC Gamer; for a more personal look at NMS‘ creators — and their process of creation — check out this May 2015 article from the New Yorker.

Meanwhile, the Master of Orion reboot is now available on Steam Early Access. Previews appear scarce, and PCGamesN is downright unenthused.

Finally, Sherlock Holmes: The Devil’s Daughter now has a confirmed release date, 27 May (hat tip to frogbeastegg).

Posted in Clippings | Leave a comment

Clippings: Firaxis February

Still alive! While this year has been busy (in a good way), I’d like to carve out bits of time for this site when I can.

This week’s highlight is Rock, Paper, Shotgun’s interview with Jake Solomon, lead designer of Firaxis’ XCOM games. It’s one of the best developer interviews I’ve read in some time, touching on issues such as:

  • What to do when theme and mechanics (in this case, XCOM2‘s controversial timer) clash;
  • Player psychology;
  • Elegance in strategy design – a topic where I agree with Solomon.

On the subject of Firaxis, the 25th anniversary of Civilization has seen the release of several interesting articles: an overview from a panel with Sid Meier, Brian Reynolds, and Soren Johnson; two interviews with Sid himself; and for a different perspective, an interview with Bruce Shelley.

Finally, Looking Glass fans might be interested in this interview with Warren Spector.

Posted in Clippings | Leave a comment

Musical Monday: “Roses of May” (Final Fantasy IX), composed by Nobuo Uematsu

Welcome back to Musical Monday!

This week’s song is from a game I haven’t played — I know it from its appearance on the orchestrated Final Fantasy album below. Following the recent mobile re-release of Final Fantasy IX, the time seems right to highlight this lovely piece. Enjoy!

Continue reading

Posted in Musical Monday, Soundtracks | Tagged , , | Leave a comment